About Time: Experimentica 2018
Taking a crash course in experimental performance, postgraduate journalism student, Filiz Mehmedova, dived into...
Dream Baby: Strange Newes and Springtide Archipelago
On the surface, Paul Hurley and Shaun Caton’s Strange Newes was world’s apart from Fern Thomas’ Springtide Archipelago...
Jo Fong and Sonia Hughes: Neither Here Nor There
How do you get strangers to open up to each other in a very short space of time? Jo Fong and Sonia Hughes create a...
Angus McLean Balbernie: 343 m/s
  Choreographer Angus McLean Balbernie’s 343 m/s was Filiz Mehmedova’s first experience of Chapter’s annual art...
Transversal Time: Rhodri Davies
Rhodri Davies’ improvised Transversal Time gently plucked at the chords of Emma Geliot’s memory as part of...
Green Man 2017, reviewed
Emily Hartless went to Green Man to report for CCQ. She took our faithful festival photographer, Eric Aydin Barberini...
Coal Tree Salt Sea - Sarah Rhys - in Abergavenny Museum
In the book Coal Tree Salt Sea, Sarah Rhys describes the custom of the sin-eaters of the Amman Valley, societal...
I survived the brilliant Supernormal, just
Taking place in a beautiful and secluded field and small woodland, house and gardens, Supernormal reaches depths and...
Kelly Best at Oriel Davies Gallery, Newtown
As Kelly Best's solo show Vanishing Point, at Oriel Davies, Newtown, Powys, draws to a close, Trevor H Smith sends us...
A Meditation on Connection and Mobility, Elysium Gallery
At the end of last month Joanna Bond completed a performance walk which revolved around the concept of human connection...
These Rotten Words, Chapter Arts Centre
These Rotten Words, Chapter Gallery, 2017. Pictured from left: Rebecca Ackroyd, Everyone's Gone Now Nothing Works 2,...
Seanmhair – The Other Room
Three women, on a tiny stage, conjure mighty powerful images out of spare and fluid acting and an astonishing script....

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